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comments (9)
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Shot in one of the subway stations in central Paris.
TECH-INFO: I've shot 3 RAW files with the exposure times of 1/5s, 1/10s and 0,4s. All hand held. I used ISO100 to keep the noise to a minimun but this was not the best idea. Better was to use ISO200 and shot more exposures. As you can see, there is still some highlight clipping in the image.
From the 3 RAW files I developed 5 JPG files in DxO Optics Pro with each one stop difference. This program is very good at lens corrections (though I kept the fish eye distortion) and noise reduction. This processing in DxO was really necessary. Initially I skipped this step but the result was way too noisy. Then I merged them into a HDR file and tone mapped it with Photomatrix.
Afterwards I processed it in Photoshop using curves (only affecting luminosity otherwise it gets way to saturated) to boost the contrast, added some vignetting and did a little bit of dodging in the center. Finally I did a 12/11 ratio crop. I had to do that because some lamps at the side were not sharp enough and a bit disturing.
Shot in one of the subway stations in central Paris.
TECH-INFO: I've shot 3 RAW files with the exposure times of 1/5s, 1/10s and 0,4s. All hand held. I used ISO100 to keep the noise to a minimun but this was not the best idea. Better was to use ISO200 and shot more exposures. As you can see, there is still some highlight clipping in the image.
From the 3 RAW files I developed 5 JPG files in DxO Optics Pro with each one stop difference. This program is very good at lens corrections (though I kept the fish eye distortion) and noise reduction. This processing in DxO was really necessary. Initially I skipped this step but the result was way too noisy. Then I merged them into a HDR file and tone mapped it with Photomatrix.
Afterwards I processed it in Photoshop using curves (only affecting luminosity otherwise it gets way to saturated) to boost the contrast, added some vignetting and did a little bit of dodging in the center. Finally I did a 12/11 ratio crop. I had to do that because some lamps at the side were not sharp enough and a bit disturing.
| camera | NIKON D200 |
| exposure mode | full manual |
| shutterspeed | 1/5s |
| aperture | f/4.5 |
| sensitivity | ISO100 |
| focal length | 10.0mm |
International Fi...
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